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剧情简介:

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.没有和解其它剧情片评分为:3.0佳作,于1965年其它上映!了解更多相关没有和解电影请关注西瓜影院

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观众评论

White_Christmas
White_Christmas11小时前
看完之后觉得人生的路更加清晰了。
Orange_Crush
Orange_Crush9天前
艺术手法的创新性为同类型作品提供了新的思路,美学手段的运用比较到位。
岁月如歌
岁月如歌21天前
以文学角色理论来分析,人物塑造体现了文学人物创造的规律。